I was first introduced to ceramics by a teacher while preparing for art school entrance exams in Istanbul, where I’m originally from. At the time, I was dreaming of becoming a graphic designer, imagining myself designing book covers behind a computer screen. However, I was so drawn to the ceramic studio — with its grounded, hands-on nature — that I began helping out there. That experience shaped my decision to study Ceramics and Glass at university.

It took many years before I returned to ceramics as a full-time practice. After spending nearly a decade working in the private sector, I opened my ceramic studio in Istanbul in 2016. It was a big turning point—not only in my career, but on a more personal level. Working with clay became a supportive process during a challenging period in my life. Ceramics taught me patience and care; it's a slow process, full of stages where things can all too often go wrong. It teaches how to deal with frustration, and how to keep going.

Since 2018, I’ve been continuing my ceramic work in London. My inspiration is the moments of change, intersections, and the way different elements come together—often unpredictably. Much of my work explores the spontaneity of glaze combinations, allowing the kiln to play its part in revealing surprising and unrepeatable surface effects. I love that each piece finds its way into someone’s everyday moments—not just as an object, but as a personal favourite, something meaningful and chosen. It’s fascinating how such a deeply introverted process can lead to a genuine sense of connection with others.

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